INTRODUCTION
some on grave themes drawn from recondite philosophy, but even these treated with a certain liveliness of manner (conspersas hilaritate quadam), and all thrown into the form of a dialogue, mostly in prose, possibly with some admixture of verse, and forming what may be called a serio-comic Philosophic Miscellany.
(4) Finally comes the Satura Luciliana, the great characteristic of which was the variety of subjects dealt with. Of these, however, politics ceased to be one after the time of Lucilius. If we admit the limits marked out for himself by Juvenal in the famous lines,
Quidquid agunt homines, votum, timor, ira, voluptas,
Gaudia, discursus, nostri farrago libelli est (i. 85-6),
we might define it as a Moral Miscellany. Unlike previous forms of Satire, it eliminated prose and restricted itself to one form of verse, the dactylic hexameter. It devoted itself mainly to social and moral topics, castigating the vices and follies of mankind as depicted in their lives and occupations. Almost any subject relating to man or society might be dealt with in a Satura. Horace allowed himself a very wide field, including critical disquisitions and such anecdotes as might lead to humorous or caustic comment; while Lucilius went further still, entering even on the discussion of questions of grammar and orthography. Having originated on
