be used “to sanctify him (Aaron and his sons), that he might be a priest to Jehovah.” Sanctification, as the indispensable condition of priestly service, was not merely the removal of the uncleanness which flowed from sin, but, as it were, the transformation of the natural into the glory of the image of God. In this sense the holy clothing served the priest for glory and ornament. The different portions of the priest's state-dress mentioned in Exo 28:4 are described more fully afterwards. For making them, the skilled artists were to take the gold, the hyacinth, etc. The definite article is sued before gold and the following words, because the particular materials, which would be presented by the people, are here referred to.
verses 6-14
The first part mentioned of Aaron's holy dress, i.e., of the official dress of the high priest, is the ephod. The etymology of this word is uncertain; the Sept. rendering is ἐπωμίς (Vulg. superhumerale, shoulder-dress; Luther, “body-coat”). It was to be made of gold, hyacinth, etc., artistically woven, - of the same material, therefore, as the inner drapery and curtain of the tabernacle; but instead of having the figures of cherubim woven into it, it was to be worked throughout with gold, i.e., with gold thread. According to Exo 39:3, the gold plates used for the purpose were beaten out, and then threads were cut (from them), to be worked into the hyacinth, purple, scarlet, and byssus. It follows from this, that gold threads were taken for every one of these four yearns, and woven with them.[1]
Verse 7
Exo 28:7 “Two connecting shoulder-pieces shall it have for its two ends, that it may be bound together.” If we compare the statement in Exo 39:4, - “shoulder-pieces they made for it, connecting; at its two ends was it connected,” - there can hardly be any doubt that the ephod consisted of two pieces, which were connected together at the top upon (over) the shoulders; and that Knobel is wrong in supposing that it consisted of a single piece, with a hole cut on each side for the arms to be put through. If it had been a compact garment, which had to be drawn over the head like the robe (Exo 28:31, Exo 28:32), the
- ↑ The art of weaving fabrics with gold thread (cf. Plin. h. n. 33, c. 3, s. 19, “aurum netur ac texitur lanae modo et sine lana”), was known in ancient Egypt. “Among the coloured Egyptian costumes which are represented upon the monuments, there are some that are probably woven with gold thread.” - Wilkinson 3, 131. Hengstenberg, Egypt, etc., p. 140.
