“[I] His Augustness the Deity-of-Eight-Thousand-Spears, having been unable to find a spouse in the Land of the Eight Islands, and having heard that in the far-off Land of Koshi there is a wise maiden, having heard that there is a beauteous maiden, I am standing [here] to truly woo her, I am going backwards and forwards to woo her. Without having yet untied even the cord of my sword, without having yet untied even my veil, I push back the plank-door shut by the maiden; while I am standing [here], I pull it forward. While I am standing [here], the nuye sings upon the green mountain, and [the voice of] the true bird of the moor, the pheasant, resounds; the bird of the yard, the cock, crows. Oh! the pity that [the] birds should sing! Oh! these birds! Would that I could beat them till they were sick! Oh! swiftly-flying heaven-racing messenger, the tradition of the thing, too, this!”[1]
- ↑ The drift of this poem needs but little elucidation:—After giving his reasons for coming to woo the Princess of Nuna-kaha, the god declares that he is in such haste to penetrate to her chamber, that he does not even stay to ungird his sword or take off his veil, but tries to push or pull open the door at once. During these vain endeavours, the mountain-side begins to re-echo with the cries of the birds announcing the dawn, when lovers must slink away. Would that he could kill these unwelcome harbingers of day, and bring back the darkness!—The Land of the Eight Islands (i.e. Japan proper, beyond whose boundaries lay the barbarous northern country of Koshi) is in the original Ya-shima-kuni (Conf. Sect. V. Note 27).—The nuye is a bird which must be fabulous if most of the accounts given of it are accepted. The “Commentary on the Lyric Dramas” tells us (with variations) that “it has the head of a monkey, the body of a racoon-faced dog, the tail of a serpent, and the hands (sic) and feet of a tiger,” adding, as the reader will make no difficulty in allowing, that “it is a strange and peculiar
