fect. Lucid and perspicuous to a degree, there is a finish, a musical arrangement of cadence, and occasionally a richness of phrase that remind one of the rhythmical and rounded periods of Macaulay. Aspirant Bengali writers of novel or romance cannot do better than saturate themselves with the style of Romesh Chandra Dutt.
I believe Tarak Nath Ganguli has written one novel only, namely, "Sorna-Lota;" but this novel is truly indigenous. It describes the every-day life, the incidents, the cares, the quarrels, the intrigues of a Hindu joint family. There is room for plenty more novels of this sort. In a prose romance or novel, the first matter of interest is the scheme, the idea, the subject. Next come the incidents—on which depends the construction, the interest of the plot. Improbability of incident is generally resented by an educated reader; and such resentment is a wholesome critical feeling, though, if carried too far, there could be no prose fiction whatever but the novels
