admirer with evidences of her innocence, the subject of some ribald songs. Since her return to Imperial favour, these verses have been suppressed, and may not be uttered upon pain of emasculation.
It now seemed as if the Lady Om had settled down, but the events of 1895, culminating in the foul murder of the late Queen, prompted her to renew her acquaintance with the unhappy Emperor. She became a Palace attendant again, and at once cleverly succeeded in bringing herself before the Imperial notice. She was sweetly sympathetic towards his Majesty; her commiseration, her tenderness, her suppliant air of injured innocence, almost immediately captivated him. She was raised to the rank of an Imperial concubine; money was showered upon her, and she proceeded immediately to exercise an influence over the Emperor which has never relaxed. She became a power at Court and once again a mother. Her influence is now directed towards the definite maintenance of her own interests. She wishes her son to be the future Emperor; she is now living in a palace, and, since she is the apple of his Majesty's eye, she permits nothing to endanger the stakes for which she is playing. Recently Kim Yueng-chun, an official of importance but of precarious position, wishing to secure himself in the consideration of his sovereign, introduced a new beauty, whose purity and loveliness were unquestioned. Lady Om heard of Lady Kang and said nothing. Within two weeks, however, the Minister was removed upon some small pretext, and subsequently tortured, mutilated, and strangled. The Lady Kang found that if the mills of Lady Om grind slowly, they grind exceedingly small.
Lady Om is a lover of ancient customs; by ancient
