shoulder, his face queer and expressionless, save for an abstracted look of patience. The dog Flossie, standing on guard almost between her master's legs, moved uneasily, eyeing the chair with great suspicion and dislike, and very much perplexed between the three human beings. The tableau vivant remained set among the squashed bluebells, nobody proffering a word.
"I expect she'll have to be pushed," said Clifford at last, with an affectation of sang froid.
No answer. Mellors' abstracted face looked as if he had heard nothing. Connie glanced anxiously at him. Clifford too glanced round.
"Do you mind pushing her home, Mellors!" he said in a cool, superior tone. "I hope I have said nothing to offend you," he added, in a tone of dislike.
"Nothing at all, Sir Clifford! Do you want me to push that chair?"
"If you please."
The man stepped up to it: but this time it was without effect. The brake was jammed. They poked and pulled, and the keeper took off his gun and his coat once more. And now Clifford said never a word. At last the keeper heaved the back of the chair off the ground, and with an instantaneous push of his foot, tried to loosen the wheels. He failed, the chair sank. Clifford was clutching the sides. The man gasped with the weight.
"Don't do it!" cried Connie to him.
"If you'll pull the wheel that way, so!" he said to her, showing her how.
"No! You mustn't lift it! You'll strain yourself," she said, flushed now with anger.
But he looked into her eyes and nodded. And she had to go and take hold of the wheel, ready. He heaved and she tugged, and the chair reeled.
"For God's sake!" cried Clifford in terror.
But it was all right, and the brake was off. The keeper put a stone under the wheel, and went to sit on the bank, his heart beating and his face white with the effort, semiconscious. Connie looked at him, and almost cried with anger. There was a pause and a dead silence. She saw his hands trembling on his thighs.
"Have you hurt yourself?" she asked, going to him.
"No. No!" he turned away almost angrily.
