XIII
MURAL PAINTING
Mural painting occupies a position alone and by itself, midway between the purely conventional decoration and the realistic easel picture. It must be sufficiently real to tell its story; it must not be so real as to destroy the flatness and solidity of the surface upon which it is painted. Mural painting, in fact, must be considered as an adjunct of architecture, and not as a self-dependent creation. First of all, therefore, it must be in harmony with the architectural scheme of the room which it is supposed to decorate and adorn. It must not blatantly insist upon recognition, but must rather modestly invite
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