TEMPERAMENT
pected. But the fundamental temperamental quality of his art remained great to the end. The temperamental man, dwelling deep down below the surface, had not been affected by the storm which had played havoc with the surface nature.
We are therefore forced irresistibly to the conclusion that temperament resides in the emotional, in other words, in the sub-conscious nature of man. When the temperamental energy gives out, and the artist loses his grip, the strong probability is that he has, without knowing it, overworked the subconscious servant; and if this ever-faithful helper fails to respond to the demands made upon him, it is through no unwillingness to serve the master, but because of utter exhaustion and inability to react.
If therefore we regard these periods
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