THE TRUE IMPRESSIONISM
between science and art—the one gives us actual truths, the other visual truths; the one facts, the other moods, impressions, visions; each in its place admirable, each ministering to one of the two great needs of humanity, the physical and the spiritual. If only a pact could be signed between them, by the terms of which each should agree to abide peaceably within the bounds of its own legitimate sphere, all would be well. But alas! science is a conscienceless freebooter. So much the sturdier of the two, he encroaches constantly on the domain of art; insists on recognition where he has no right to a hearing, and monopolizes the whole front of the stage. Even the artists are unable to escape his importunities; and the younger ones especially are often misled and lured to a false allegiance.
This is small wonder of course, when
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