LANDSCAPE PAINTING
in smooth flat masses in much the same manner as a house painter paints his door or cornice. There remain then practically but two systems from which the modern painter is at liberty to choose. The first of these is the spot and dash method used by the Impressionists and their school. It must be clear to any one that this system, while giving beautiful results in the way of luminosity, does not logically follow the forms of nature, or reproduce her surfaces, and it must therefore be regarded as an imperfect and a temporary manner which is destined to be superseded in time by some more supple and expressive technique.
The last of the four systems mentioned and one which has gradually come to be adopted by the vast majority of our best landscape painters is one in which vibration is obtained by means
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