LANDSCAPE PAINTING
to the same old law, and, to a certain extent, can be made attractive and lovely, or forbidding and ugly according to the background against which the picture is hung.
Of course in the scale of subdued colors color-refraction works feebly, and it is therefore of minor importance to the landscape painter, though, as I have already noted, Corot knew how to make good use of the little crimson cap on his peasant women; for the tiny spot of red doubled the beauty of his delicate greens. But the figure painter occasionally finds a knowledge of this law of great value; as, for instance, when he wishes to play upon the emotions by the simple use of pure color. Splendid effects have been produced in this way by Monticelli, by Frank Brangwyn, and more recently by the Spaniard Sorolla.
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