IV
"ARKADIE dressed the hair and painted the faces of the actresses only. For the men there was another hairdresser, and if Arkadie went to the men's side it was only on occasions, when the Count himself ordered him to paint someone in a very noble manner. The chief speciality of the touch of this artist consisted in 'ideas,' thanks to which he was able to give to faces the finest and most varied expressions."
"He was sometimes sent for and told," said Lyubov Onisimovna, "this face must have such or such an expression." Arkadie would then step back, order the actor or actress to stand or sit before him, while he stood, with arms folded over his breast, looking at them and thinking. And all the time he himself was more beautiful than the handsomest among them, because though of middle height he was indescribably well-proportioned—his little nose was thin and proud; his eyes were kind like an angel's—and a thick curl of his hair hung beautifully over his eyes, so that he appeared to be looking out of a misty cloud."
In a word, the toupee artist was handsome and
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