LETTERS OF A JAVANESE PRINCESS
a few others, among them a lady who is an intimate friend of ours. They remained for the native part of the feast.
After the departure of the European guests, the native nobles, who had absented themselves from the pendopo during the reception, came in and formed a half -circle, before which the bridegroom must give a proof of his proficiency in dancing.
The regents as well as the other chiefs had meanwhile dressed in more informal costume.
The gamelan played; a dancing-girl entered and began to dance. The Patih of Japara brought, on his knees, a silver waiter to the bridegroom, on which there was a silken cloth. When the bridegroom had taken the cloth, the Patih fell back.
Soft gamelan tones again sounded; it was a prelude, an invitation to the hero of the day to open the feast. The bridegroom rose and went to the middle of the pendopo; he fastened the silken cloth around him and named his favourite air to the gamelan players. The gongs chimed; it was immediately struck up.
I shall not attempt to describe the dance; my pen is inadequate. I shall only say that it was a joy to the eyes to follow the agile dancer in his graceful movements as he kept time to the beautiful gamelan music. Behind him danced the dancing-girl, also singing. The circle of native dignitaries accompanied the music by singing and beating their hands together. Toward the end of the dance the Resident went forward with two glasses of champagne. The gong sounded, and both dancers fell upon their knees. With a sembah the bridegroom accepted a glass from the Resident. He drank it and the Resident emptied his at the same time amid joyful gamelan tones and sounds of general mirth.
A servant took the empty glasses, and the Resident fell back. The bridegroom stood up and again began to dance. Now his father-in-law
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