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thumb; it must never be allowed to hang down below the key-board; but, on the contrary, it should always be held over the keys in such a way that its tip may be elevated a little higher than the upper surface of the black keys; and it must strike from this position.
To observe all these rules exactly, it is requisite that the elbows should never be too distant from the body; and that the arms, from the shoulder downwards, should hang freely, without being pressed against the body.
The necessity of all these rules you will not be able to comprehend till a future period.
The knowledge of the notes is a mere affair of memory; and for every note you must endeavour to find and strike the proper key, on the instant and without the least hesitation. In music, this constitutes what is called reading the notes; and when you shall have acquired this readiness, you will have overcome the most difficult thing which elementary objects in music will be likely to present to you.
At first, you will naturally learn only the notes in the treble clef; and for this purpose we may employ the following means:
First. When you look at a note, you must name it aloud, and then seek for and strike the key which belongs to it.
Secondly. When you strike at hazard any white key on the treble side of the key-board,
