nalian revel. Ken took no part in the riotous action. He was revolted by the stench of sweat, the animal odor of writhing bodies. When he saw a razor flash and heard a scream, he seized Jean's arm and led her through the rear door to the back stairs and safety.
"Sweeter than Sweet" played three weeks in Philadelphia* Ken, flanked by Frankie and Joe, occupied a suite in "The Madhouse," as the Great Western Hotel for the theatrical profession was popularly known. The Great Western, operated by a complacent manager, catered to chorus people, although it usually numbered among its guests the thirstier, gayer musical comedy principal players. The presence of a principal was sufficient excuse for the institution of what was locally termed "open house," an institution made possible by frequent bribes openly paid to a portly house detective, who made his rounds twice nightly, once to collect his fees, again for his share of the drinks.
Three violent weeks rushed by. Ken became the host of hosts in "The Madhouse." His door was always open. He slept rarely, leaving the hotel only to dance at the theatre. Word spread that Ken was "a good guy," a drink-buyer. Chorus people from two other musical shows playing in Philadelphia crowded the suite. Boys from the streets drifted in. Within a few days, Ken neither knew nor cared who his guests were. They slept in his bed, littered the floor with cigarette stubs and cigar ashes. Ken did not seem to mind.
Joe Durazzo resented the intrusion of strangers. Frankie and his allies from the show felt Ken was being subjected to the derision of those who were enjoying his hospitality. At first Ken was too "high" to care. But when, one morn-
