gest iron-men in England, Max. Horribly well-off. … Why, hello, old Georgie! Say, Max, George Babbitt is getting fatter than I am!"
The chairman shouted, "Take your seats, fellows!"
"Shall we make a move, Charley?" Babbitt said casually to McKelvey.
"Right. Hello, Paul! How's the old fiddler? Planning to sit anywhere special, George? Come on, let's grab some seats. Come on, Max. Georgie, I read about your speeches in the campaign. Bully work!"
After that, Babbitt would have followed him through fire. He was enormously busy during the dinner, now bumblingly cheering Paul, now approaching McKelvey with "Hear, you're going to build some piers in Brooklyn," now noting how enviously the failures of the class, sitting by themselves in a weedy group, looked up to him in his association with the nobility, now warming himself in the Society Talk of McKelvey and Max Kruger. They spoke of a "jungle dance" for which Mona Dodsworth had decorated her house with thousands of orchids. They spoke, with an excellent imitation of casualness, of a dinner in Washington at which McKelvey had met a Senator, a Balkan princess, and an English major-general. McKelvey called the princess "Jenny," and let it be known that he had danced with her.
Babbitt was thrilled, but not so weighted with awe as to be silent. If he was not invited by them to dinner, he was yet accustomed to talking with bank-presidents, congressmen, and clubwomen who entertained poets. He was bright and referential with McKelvey:
"Say, Charley, juh remember in Junior year how we chartered a sea-going hack and chased down to Riverdale, to the big show Madame Brown used to put on? Remember how you beat up that hick constabule that tried to run us in, and we pinched the pants-pressing sign and took and hung it on Prof. Morrison's door? Oh, gosh, those were the days!"
