listen to a good jazz band any time than to some piece by Beethoven that hasn't any more tune to it than a bunch of fighting cats, and you couldn't whistle it to save your life! But that isn't the point. Culture has become as necessary an adornment and advertisement for a city to-day as pavements or bank-clearances. It's Culture, in theaters and art-galleries and so on, that brings thousands of visitors to New York every year and, to be frank, for all our splendid attainments we haven't yet got the Culture of a New York or Chicago or Boston—or at least we don't get the credit for it. The thing to do then, as a live bunch of go-getters, is to capitalize Culture; to go right out and grab it.
"Pictures and books are fine for those that have the time to study 'em, but they don't shoot out on the road and holler 'This is what little old Zenith can put up in the way of Culture.' That's precisely what a Symphony Orchestra does do. Look at the credit Minneapolis and Cincinnati get. An orchestra with first-class musickers and a swell conductor—and I believe we ought to do the thing up brown and get one of the highest-paid conductors on the market, providing he ain't a Hun—it goes right into Beantown and New York and Washington; it plays at the best theaters to the most cultured and moneyed people; it gives such class-advertising as a town can get in no other way; and the guy who is so short-sighted as to crab this orchestra proposition is passing up the chance to impress the glorious name of Zenith on some big New York millionaire that might-that might establish a branch factory here!
"I could also go into the fact that for our daughters who show an interest in highbrow music and may want to teach it, having an A1 local organization is of great benefit, but let's keep this on a practical basis, and I call on you good brothers to whoop it up for Culture and a World-beating Symphony Orchestra!"
They applauded.
