Gustav Meyrink
The Man in The Bottle
Marionette Comedy in the Spirit of Aubrey Beardsley
By Prince Mohammed Darasche-Koh
Characters:
The Man in the Bottle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Miguel, Count de Faast |
The Man on the Bottle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Prince Mohammed Darasche-Koh |
The Lady in the Sedan Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
Vampires, Marionettes, Hunchbacks, Apes, Musicians
Scene of Action: A Tiger's Maw
"What! The prince the author of this marionette play?"
"Probably a scene out of the 'Thousand and One Nights.'"
"But who will play the part of the Lady in the Sedan Chair?"
"Oh, there is a great surprise in store for us," twittered a seductive Incroyable, leaning on the arm of an Abbé. "Do you know, the Pierrot with whom I danced the taran-telle was the Count de Faast, who is going to play The Man in the Bottle; and he confided a lot of things to me: the marionettes will be very grewsome—that is, for those who appreciate the spirit of the thing—and the prince had an elephant sent down from Hamburg—but you are not listening to me at all!" And the little one dropped the arm of her escort and bolted into the swirling crowd.
New groups of masks constantly poured out of the adjoining rooms through the wide doorways into the big hall, making a kaleidoscopic play of colors, while files of costumed guests stood admiring the wonderful mural frescoes that rose to the blue, star-dotted ceiling. Attendants served refreshments, sorbets and wines in the window niches.
With a rolling sound the walls of the narrow end of the hall separated and a stage was pushed slowly into view.
Its setting, in red brown and a flaming yellow proscenium,
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