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THE ARCH OF TITUS.

loved Jerusalem. Surely none who have never suffered a like scorn can adequately feel for their humiliation, as they, for their abasement, were forced to pass beneath that arch whose sculptured sides portrayed the sacred vessels torn, in the profanation of their Temple, from its Holy of Holies.

Among other objects calling up ancient events in the history of Rome, stands the Column of Trajan, after which Napoleon's monument in Paris was modeled. It tells of the many battles fought and won by Trajan, and is a beautiful column. Though now slowly yielding to the wasting touch of Time, we may still say of it as was once said by the great Daniel Webster of Bunker Hill Monument: "It looks, it speaks, it acts." It certainly is a memorial of the past, a monitor of the present, though it may not be a hope of the future. In sight of the palaces of the Caesars and the Temple of the Vestal Virgins and the Capitoline Hill, darkening the horizon with its somber and time-defying walls, rises the immense and towering form of the Coliseum,—an ancient hell of human horrors,—where the élite of Rome enjoyed the sport of seeing men torn to pieces by hungry and infuriated lions and tigers and by each other. No building more elaborate, vast and wonderful than this has risen since the Tower of Babel.

While the old part of Rome has antiquities of its own, the new part has antiquities from abroad. There are here fourteen obelisks from Egypt, one of the finest of which adorns the square in front of St. Peter's.

The streets of Rome, except in the newest part, are generally very narrow, and the houses on either side of them being very high, there is much more shade than sunshine in them, and hence the remarkably chilly atmosphere of which strangers complain. Yet the city is not without redeeming and compensating features.