and sitting, talked of mountains, somewhat to this effect: —
Mountains are the best things to be seen. Within the keen outline of a great peak is packed more of distance, of detail, of light and shade, of color, of all the qualities of space, than vision can get in any other way. No one who has not seen mountains knows how far the eye can reach. Level horizons are within cannon-shot. Mountain horizons not only may be a hundred miles away, but they lift up a hundred miles at length, to be seen at a look. Mountains make a background against which blue sky can be seen; between them and the eye are so many miles of visible atmosphere, domesticated, brought down to the regions of earth, not resting overhead, a vagueness and a void. Air, blue in full daylight, rose and violet at sunset, gray like powdered starlight by night, is collected and isolated by a mountain, so that the eye can comprehend it in nearer acquaintance. There is nothing so refined as the outline of a distant mountain: even a rose-leaf is stiff-edged and harsh in comparison. Nothing else has that definite indefiniteness, that melting permanence, that evanescing changelessness. Clouds in vain strive to imitate it; they are made of slighter stuff; they can be blunt or ragged, but they cannot have that solid positiveness.
Mountains, too, are very stationary, — always at their post. They are characters of dignity, not without noble changes of mood; but these changes
