the beloved, and in him sees all reflected as in a glass of eternal diamond.
On the right hand of these rise the diffident and humble, and on their left a solitary woman with her infant. These are caught up by three aged men, who appear as suddenly emerging from the blue sky for their help. These three aged men represent divine providence, as opposed to and distinct from divine vengeance, represented by three aged men, on the side of the picture among the wicked, with scourges of fire.
If the spectator could enter into these images in his imagination, approaching them on the fiery chariot of his contemplative thought; if he could enter into Noah's rainbow, could make a friend and companion of one of these images of wonder, which always entreat him to leave mortal things (as he must know), then would he arise from the grave, then would he meet the Lord in the air, and then he would be happy. General knowledge is remote knowledge: it is in particulars that wisdom consists, and happiness too. Both in art and in life general masses are as much art as a pasteboard man is human. Every man has eyes, nose, and mouth; this every idiot knows; but he who enters into and discriminates most minutely the manners and intentions, the characters in all their branches, is the alone wise or sensible man; and on this discrimination all art is founded. I entreat, then, that the spectator will attend to the hands and feet; to the lineaments of the countenance: they are all descriptive of character, and not a line is drawn without intention, and that most discriminate and particular. As poetry admits not a letter that is insignificant, so painting admits not a grain of sand, or a blade of grass insignificant—much less an insignificant blur or mark.
Above the head of Noah is Seth. This state, called Seth, is male and female, in a higher state of happiness than Noah, being nearer the state of innocence. Beneath the feet of Seth two figures represent the two seasons of Spring and Autumn,
