"I wish now I had not told you about Sibyl Vane."
"You could not have helped telling me, Dorian. All through your life you will tell me everything you do."
"Yes, Harry, I believe that is true. I cannot help telling you things. You have a curious influence over me. If I ever did a crime, I would come and confide it to you. You would understand me."
"People like you—the wilful sunbeams of life—don't commit crimes, Dorian. But I am much obliged for the compliment, all the same. And now tell me,—reach me the matches, like a good boy: thanks,—tell me, what are your relations with Sibyl Vane?"
Dorian Gray leaped to his feet, with flushed cheeks and burning eyes. "Harry, Sibyl Vane is sacred!"
"It is only the sacred things that are worth touching, Dorian," said Lord Henry, with a strange touch of pathos in his voice. "But why should you be annoyed? I suppose she will be yours some day. When one is in love, one always begins by deceiving one's self, and one always ends by deceiving others. That is what the world calls romance. You know her, at any rate, I suppose?"
"Of course I know her. On the first night I was at the theatre, the horrid old Jew came round to the box after the performance was over, and offered to bring me behind the scenes and introduce me to her. I was furious with him, and told him that Juliet had been dead for hundreds of years, and that her body was lying in a marble tomb in Verona. I think, from his blank look of amazement, that he thought I had taken too much champagne, or something."
"I am not surprised."
"I was not surprised either. Then he asked me if I wrote for any of the newspapers. I told him I never even read them. He seemed terribly disappointed at that, and confided to me that all the dramatic critics were in a conspiracy against him, and that they were all to be bought."
"I believe he was quite right there. But, on the other hand, most of them are not at all expensive."
"Well, he seemed to think they were beyond his means. By this time the lights were being put out in the theatre, and I had to go. He wanted me to try some cigars which he strongly recommended. I declined. The next night, of course, I arrived at the theatre again. When he saw me he made me a low bow, and assured me that I was a patron of art. He was a most offensive brute, though he had an extraordinary passion for Shakespeare. He told me once, with an air of pride, that his three bankruptcies were entirely due to the poet, whom he insisted on calling 'The Bard.' He seemed to think it a distinction."
"It was a distinction, my dear Dorian,—a great distinction. But when did you first speak to Miss Sibyl Vane?"
"The third night. She had been playing Rosalind. I could not help going round. I had thrown her some flowers, and she had looked at me; at least I fancied that she had. The old Jew was persistent. He seemed determined to bring me behind, so I consented. It was curious my not wanting to know her, wasn't it?"
