can be life of any sort on the surface of our satellite, yet she still has interest for many, as a world which was probably at one time the abode of many orders of living creatures.
THE REMINGTON TYPE-WRITING MACHINE.
In making comparison between the physical and the biological sciences, it is not difficult to recognize how it comes that they differ in one essential element. In the physical the forces in action are comparatively few, and of very different degrees of intensity. The centripetal and centrifugal tendencies, for instance, of moons and planets so far exceed the mutual attractions of the planets inter sese, that in the rough calculation of their orbits the latter may be omitted from consideration.
In the study of the phenomena of life, however, the innumerable forces which are found to be in play are so fairly balanced in their magnitude and tendencies, that the task of dissociating and classifying them is almost beyond the means at the disposal of the human mind.
In the study of the various machines which have from time to time been constructed with the purpose of economizing or superseding the employment of the engine muscle, — expensive in the nature of the fuel it requires, although it is so economical in the way in which it uses it, — a similar division may be made. In the steam-engine, however developed, the waste of force essential to the working of the valves is nothing in comparison to the power employed, nor in the telegraphic needle is much done by the current except the actual record which it makes.
But on looking at the. sewing-machine or the more novel type-printing apparatus we can see that the ingenuity of America, stimulated by the idea of practical advantage, has been developed in a direction, not towards the discovery of more economic principles, but to the employment of forces already known in the mastery of complicated operations previously thought to be beyond the powers of any other mechanism than the hand of man. To obtain these results an entirely different conception has to be introduced. The power at the disposal of the operator has not to be directed simply to the performance of’ a single operation, like the movement of the needle in the sewing-machine or the impressing of the letter in the type-writer, but has to be distributed so that it may perform a series of simultaneous operations, all leading to a complicated result. The treadle of the sewing-machine in its movement, besides the rise and fall of the needle which it produces, works the thread loop-slip, shifts the fabric, and unwinds the cotton. The pressure on any one of the keys of the type-writer besides the impression which it stamps upon the paper, shifts that paper, inks the type, and places each letter in its proper sequence.
In order properly to balance all these varied actions, great ingenuity and much practical experiment are necessary, and of the "Remington type-writer," the only satisfactory instrument of the kind yet brought to public notice, the introducers, the most prominent of whom is Mr. Jefferson M. Clough, superintendent of the Remington armory, tells us that "during the time required to perfect the invention, about fifty machines were constructed, all upon the same general principle, but each differing more or less in the minor details."
The general principle is a most ingenious one. It is evident that the great difficulty in the construction of such an instrument is that it is necessary to have a large number of signs — letters of the alphabet, figures, stops; etc., arranged in such a manner that any one of them, may, by the simple pressure on a corresponding key-note, be printed in any required order or sequence upon a paper sheet placed ready to receive it. There are many more or less elaborate ways in which this may be accomplished; none, we believe, so simple as that adopted by the Messrs. Remington. Their apparatus may be compared to a piano, even in its details. There is a keyboard, on each key of which the letter it impresses is to be found indicated. The depression of each key raises a hammer. This hammer, however, instead of being covered with a felted pad, as in the piano, carries at its extremity a type-cast letter, which, in place of a stretched wire, strikes on a piece of paper the impression of the letter which it bears. So far the similarity between the two instruments is very close. But to produce sounds and to perpetuate impressions in black and white in any definite sequence, are two very different things, the latter being much the more difficult and herein lies the ingenuity of the principle adopted in the type-writer. The hammers, instead of being arranged in one line, as in the piano, form a circle,
