of Hamlet, his favorite Shakespearian character, when Johansen descended the companion stairs followed by Johnson. The latter's cap came off after the custom of the sea, and he stood respectfully in the centre of the cabin, swaying heavily and uneasily to the roll of the schooner and facing the captain.
"Shut the doors and draw the slide," Wolf Larsen said to me.
As I obeyed I noticed an anxious light come into Johnson's eyes, but I did not dream of its cause. I did not dream of what was to occur until it did occur, but he knew from the very first what was coming and awaited it bravely. And in his action I found complete refutation of all Wolf Larsen's materialism. The sailor Johnson was swayed by idea, by principle, and truth, and sincerity. He was right, he knew he was right, and he was unafraid. He would die for the right if needs be, he would be true to himself, sincere with his soul. And in this was portrayed the victory of the spirit over the flesh, the indomitability and moral grandeur of the soul that knows no restriction and rises above time and space and matter with a surety and invincibleness born of nothing else than eternity and immortality.
But to return. I noticed the anxious light in Johnson's eyes, but mistook it for the native shyness and embarrassment of the man. The mate, Johansen, stood away several feet to the side of him, and fully three yards in front of him sat Wolf Larsen on one of the pivotal cabin chairs. An appreciable pause fell after I had closed the doors and drawn the slide, a pause that must have lasted fully a minute. It was broken by Wolf Larsen.
"Yonson," he began.
"My name is Johnson, sir," the sailor boldly corrected.
