managed, by repeatedly overthrowing him and attacking the throat, to cut the great vein and let out the life. There was a great row that night. He had been observed, the news had been carried to the dead dog's master, the squaws remembered all the instances of stolen meat, and Gray Beaver was beset by many angry voices. But he resolutely held the door of his tepee, inside which he had placed the culprit, and refused to permit the vengeance for which his tribespeople clamored.
White Fang became hated by man and dog. During this period of his development he never knew a moment's security. The tooth of every dog was against him, the hand of every man. He was greeted with snarls by his kind, with curses and stones by his gods. He lived tensely. He was always keyed up, alert for attack, wary of being attacked, with an eye for sudden and unexpected missiles, prepared to act precipitately and coolly, to leap in with a flash of teeth, or to leap away with a menacing snarl.
As for snarling, he could snarl more terribly than any dog, young or old, in camp. The intent of the snarl is to warn or frighten, and judgment is required to know when it should be used. White Fang knew how to make it and when to make it. Into his snarl he incorporated all that was vicious, malignant, and horrible. With nose serrulated by continuous spasms, hair bristling in recurrent waves, tongue whipping
