never ventured to essay it under other, and more intimate, conditions of night-cap use; even as he never failed to engage in it with spirit when his white lure properly was set for him above the back of Madame Jolicœur's chair. It was as though to the Shah de Perse the white night-cap of Madame Jolicœur, displayed in accordance with the rules of the game, were an oriflamme: akin to, but in minor points differing from, the helmet of Navarre.
Being such a cat, it will be perceived that Madame Jolicœur had reason in her avowed intention to bestow upon him all of the bestowable affection remnant in her withered heart's devastated recesses; and, equally, that she would not be wholly desolate, having such a cat to comfort her, while standing impartially attendant upon the decrees of fate.
To assert that any woman not conspicuously old and quite conspicuously of a fresh plumpness could be left in any city isolate, save for a cat's company, while the fates were spinning new threads for her, would be to put a severe strain upon credulity. To make that assertion specifically of Madame Jolicœur, and specifically—of all cities in the world!—of Marseille, would be to strain credulity fairly to the breaking point. On the other hand, to assert that Madame Jolicœur, in defence of her isolation, was disposed to plant machine-guns in the doorway of her dwelling—a house of modest elegance on the Pavé d'Amour, at the crossing of the Rue Bausset—would be to go too far. Nor indeed—aside from the fact that the presence of such engines of de-
