at the rolling treeless country outside, with a queer look in his eyes.
"We're getting there, Kay," he said. "It begins to look like home."
She was astonished to hear his voice tremble.
He had been very quiet after that, content apparently to sit, her hand in his, and gaze out the window. He was even, she thought, somewhat tense during the hours when the train curved and swayed through the bad lands. She had taken to watching him in a way; she had sacrificed so much for him, was so completely bound up in him, so cut off from everything else, that his slightest action had significance for her.
"Isn't that cabin of Jake's down here somewhere, Tom?"
"Over that way." He made a vague gesture. "Let's forget that, girl."
He had told her very little of that winter before, nothing at all about the Miller, except that he was dead. She had learned to accept his reserves; that he lived a strong tumultuous inner life under a surface of stoical calm; that even she would never entirely know the depths of his heart or of his thoughts. But now she tried again.
"Was it as bad as all that?"
"It was all right." He stirred uneasily. "Lonely, that's all."
But he was cheerful enough when they reached the Martin House that night, and he limped up the stairs to the small close bedroom which was to be her home for so many weary weeks.
"Little old town sure looks good to me, Ed."
"It's sure missed you, Tom. Evening, Mrs. McNair. If you want to go right up"
Getting up the stairs was troublesome. She saw Ed watching from below, and that Tom was resenting that slow progress and Ed's intent gaze with equal bitterness. But once inside the room, he took off his hat and bending down, kissed her.
"Welcome home, girl," he said. "God knows what's geing to happen to us now, but here we are!"
