The Sheriff's Son
speculation whether in twenty years she would develop into a harridan or a woman of unusual character.
The big living-room of the ranch house was a man's domain. A magnificent elk head decorated one of the walls. Upon the antlers rested a rifle and from one of the tines depended a belt with a six-shooter in its holster. A braided leather quirt lay on the table and beside it a spur one of the boys had brought in to be riveted. Tossed carelessly into one corner were a fishing-rod and a creel. A shotgun and a pair of rubber waders occupied the corner diagonally opposite.
But there were evidences to show that Beulah had modified at least her environment. An upright piano and a music-rack were the most conspicuous. Upon the piano was a padded-covered gift copy of "Aurora Leigh." A similar one of "In Memoriam" lay on the mantel next to a photograph of the girl's dead mother framed in small shells. These were mementoes of Beulah's childhood. A good copy of Del Sarto's John the Baptist hanging from the wall and two or three recent novels offered an intimation that she was now beyond shell frames and padded-leather editions.
Miss Rutherford hobbled away to look after
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