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THE THREE IMPOSTORS.

be the very reverse. Literature, too, had gone early to work, and had lent a powerful hand in the transformation, so that the playful elves of Shakespeare are already far removed from the true original, and the real horror is disguised in a form of prankish mischief. But in the older tales, the stories that used to make men cross themselves as they sat round the burning logs, we tread a different stage; I saw a widely opposed spirit in certain histories of children and of men and women who vanished strangely from the earth. They would be seen by a peasant in the fields walking towards some green and rounded hillock, and seen no more on earth; and there are stories of mothers who have left a child quietly sleeping with the cottage door rudely barred with a piece of wood, and have returned, not to find the plump and rosy little Saxon, but a thin and wizened creature, with sallow skin and black piercing eyes, the child of another race. Then, again, there were myths darker still; the dread of witch and wizard, the lurid evil of the Sabbath, and the hint of demons who mingled with the daughters of men. And just as we have turned the terrible "fair folk" into a company of benignant, if freakish, elves, so we have hidden from us the black foulness of the witch and her companions under a popular diablerie of old women and broomsticks and a comic cat with tail on end. So the Greeks called the hideous furies benevolent ladies, and thus the northern nations have followed their example. I pursued my investigations, stealing odd hours from other and more imperative labors, and I asked myself the question: Supposing these tradi-