those days; and as she entertained the project for a long while, put it off from month to month, and finally abandoned it altogether, it is more than probable that she never liked it sufficiently to have resolved upon it seriously.
At Blois she established herself first in the famous Château of Chaumont-sur-Loire, haunted by such various memories as the Cardinal d'Amboise, Diane de Poitiers, Catherine de Medici, and Nostradamus. But the owner of the house shortly returning, she removed to another mansion at Fossé, the home of a M. de Salaberry. She had addressed a letter to Napoleon in which she presented her work to his notice, craved an interview in very respectful terms, and urged on his notice the advantage which it would be for her sons' career and her daughter's eventual marriage (Albertine was then thirteen) if she were allowed to reside again in the neighbourhood of Paris.
While awaiting the answer to this, she gathered round her a group of her usual friends, among them Madame Récamier, Adrien and Mathieu de Montmorency, Prosper de Barante, and Benjamin Constant. This society amused itself with music (an Italian musician, Albertine's master, who played the guitar, being of the company), and with a quaint invention named La petite poste. This consisted in abolishing conversation and substituting for it little notes, which were passed from one to the other. A very innocent amusement; but either it, or the guitar-playing, or "Corinne's" famous name made some noise in the neighbourhood.
Finally, one evening Madame de Staël went to the theatre at Blois, and, on leaving it, was surrounded by a curious crowd. Some officious person communi-
