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GIRLHOOD.
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her grasp. A good, nay, a noble woman, yet essentially a self-righteous one, she could comprehend perfection in nothing that did not, to a certain degree, resemble herself. Her ideas, her principles, her will, were, she conceived, to shape and fashion, restrain and recreate, this thing of fire and intellect, this creature all spirit, instinct, and insight, that she named her child. Germaine, predestined all her life to struggle, to consume herself to ashes—like the Arabian princess who fought with the djinn—succumbed for the time to her mother's will, by the annihilation of everything that was inalienably herself. The spell lasted as long as the tyranny which had created it; but once freed from the thraldom, wandering with her young cousin through the avenues of St. Ouen, drinking in the freshness of the shadowy glades, and acting innocent little dramas, Germaine became more natural and, in her mother's eyes, more commonplace. Madame Necker lost interest in her, drew frigidly away from her, and even began to feel some jealousy of the new-born affection between the father and child.

When Germaine was fifteen, M. Necker fell from power. A few months previously he had published his Compte Rendu, and roused the enthusiasm of France. He had been the idol of the hour, and his name was in everybody's mouth. From all sides, from nobles and bourgeois alike, letters of praise and congratulation poured in upon him. Among these was an anonymous epistle, written by Germaine, and immediately recognised by her father, who knew the author's style.

She was transported with joy and triumph, and probably understood her father's achievements better than two-thirds of the people who applauded them. For she was endowed with a marvellous quickness and com-