herself was quite Parisian. As they drove along she flirted a little with her Spanish fan and stole a glance at herself in the glass. Her gloves were so long and so new and so expensive that she was really indifferent to Arthur’s inattention.
Her joyous temperament expanded like a spring flower when she found herself in the Opera House. She put up her glasses and examined the women as they came into the boxes of the Grand Tier. Arthur pointed out a number of persons whose names were familiar to her, but she felt the effort he was making to be amiable. The weariness of his mouth that evening was more noticeable because of the careless throng. But when the music began he seemed to forget that any eye was upon him; he relaxed the constant tension in which he held himself; and Susie, watching him surreptitiously, saw the emotions chase one another across his face. It was now very mobile. The passionate sounds ate into his soul, mingling with his own love and his own sorrow, till he was taken out of himself; and sometimes he panted strangely. Through the interval he remained absorbed in his emotion. He sat as quietly as before and did not speak a word. Susie understood why Arthur, notwithstanding his old indifference, now showed such eager appreciation of music: it eased the pain he suffered by transferring it to an ideal world, and his own grievous sorrow made the music so real that it gave him an enjoyment of extraordinary vehemence. When it was all over and Isolde had given her last wail of sorrow, Arthur was so exhausted that he could hardly stir.
