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The room was full when Arthur Burdon entered, but Margaret had kept him an empty seat between herself and Miss Boyd. Everyone was speaking at once, in French, at the top of his voice, and a furious argument was proceeding on the merit of the later impressionists. Arthur sat down, and was hurriedly introduced to a lanky youth, who sat on the other side of Margaret. He was very tall, very thin, very fair. He wore a very high collar and very long hair, and held himself like an exhausted lily.

“He always reminds me of an Aubrey Beardsley that’s been dreadfully smudged,” said Susie in an undertone. “He’s a nice, kind creature, but his name is Jagson. He has virtue and industry. I haven’t seen any of his work, but he has absolutely no talent.”

“How do you know, if you’ve not seen his pictures?” asked Arthur.

“Oh, it’s one of our conventions here that nobody has talent,” laughed Susie. “We suffer one another personally, but we have no illusions about the value of our neighbor’s work.”

“Tell me who everyone is.”

“Well, look at the little bald man in the corner. That is Warren.”

Arthur looked at the man she pointed out. He was a small person, with a pate as shining as a billiard-ball, and a pointed beard. He had protruding, brilliant eyes.

“Hasn’t he had too much to drink?” asked Arthur frigidly.

“Much,” answered Susie promptly; “but he’s