great, though less noticeable on account of his obesity, and he towered over the puny multitude.
They looked idly at the various shows, resisting the melodramas, the circuses, the exhibitions of eccentricity, which loudly clamoured for their custom. Presently they came to a man who was cutting silhouettes in black paper, and Haddo insisted on posing for him. A little crowd collected and did not spare their jokes at his singular appearance. He threw himself into his favourite attitude of proud command. Margaret wished to take the opportunity of leaving him, but Miss Boyd insisted on staying.
“He’s the most ridiculous creature I’ve ever seen in my life,” she whispered. “I wouldn’t let him out of my sight for worlds.”
When the silhouette was done he presented it with a low bow to Margaret.
“I implore your acceptance of the only portrait now in existence of Oliver Haddo,” he said.
“Thank you,” she answered, frigidly.
She was unwilling to take it, but had not the presence of mind to put him off by a jest, and would not be frankly rude. As though certain she set much store on it, he placed it carefully in an envelope. They walked on and suddenly came to a canvas booth on which was an Eastern name. Roughly painted on sail-cloth was a picture of an Arab charming snakes, and above were certain words in Arabic. At the entrance a native sat cross-legged, listlessly beating a drum. When he saw them stop, he addressed them in bad French.
