when he heard the English tongue. He showed a row of sparkling and beautiful teeth.
“My name Mohammed,” he said. “Me show serpents to Sirdar Lord Kitchener. Wait and see. Serpents very poisonous.”
He was dressed in a long blue gabardine, more suited to the sunny banks of the Nile than to a fair in Paris, and its colour could hardly be seen for dirt. On his head was the national tarboosh.
A rug lay at one side of the tent, and from under it he took a goatskin sack. He placed it on the ground in the middle of the circle formed by the seats, and crouched down on his haunches. Margaret shuddered, for the uneven surface of the sack moved strangely. He opened the mouth of it. The woman in the corner listlessly droned away on the drum, and occasionally uttered a barbaric cry. With a leer and a flash of his bright teeth, the Arab thrust his hand into the sack and rummaged as a man would rummage in a sack of corn. He drew out a long, writhing snake. He placed it on the ground and for a moment waited, then he passed his hand over it: it became immediately as rigid as a bar of iron. Except that the eyes, the cruel eyes, were open still there might have been no life in it.
“Look,” said Haddo. “That is the miracle which Moses did before Pharaoh.”
Then the Arab took a reed instrument, not unlike the pipe which Pan in the hills of Greece played to the dryads, and he piped a weird, monotonous tune. The stiffness broke away from the snake suddenly, and it lifted its head and raised its long body till
