Page:Maid Marian - Peacock (1822).djvu/14

air-pump with one hand, and with two fingers and a thumb of the other insinuating a peeping-place through the curtain of the organ-gallery, was struck motionless by the double operation of curiosity and fear; while the organist, intent only on his performance, and spreading all his fingers to strike a swell of magnificent chords, felt his harmonic spirit ready to desert his body on being answered by the ghastly rattle of empty keys, and in the consequent agitato furioso of the internal movements of his feelings, was preparing to restore harmony by the segue subito of an appoggiatura con foco with the corner of a book of anthems on the head of his neglectful assistant, when his hand and his attention together were arrested by the scene below. The voice of the abbot subsided into silence through a descending scale of long-drawn melody, like the sound of the ebbing sea to