A large wooden piazza roofed over, and supported on posts, on which the rooms of the first story opened, ran round the three sides of the interior façade of the house, making two right angles. The windows of the ground-floor made boxes, the pavement of the court, the pit; and the balcony the gallery. The Green Box, placed against the wall, had quite an audience hall in front of it. It was very like the Globe, where they played "Othello," "King Lear," and "The Tempest." In a corner behind the Green Box there was a stable. Ursus had made his arrangements with the tavern-keeper. Master Nicless, who, owing to his respect for the law, would not admit the wolf without charging him extra.
The placard, "Gwynplaine, the Laughing Man," taken from its nail in the Green Box, was hung up close to the sign of the inn. The sitting-room of the tavern had, as we have seen, an inside door, which opened into the court. By the door was constructed off-hand, by means of an empty barrel, an office for the door-keeper, who was sometimes Fibi, and sometimes Vinos. It was managed much as at present,—pay and pass in. Under the placard announcing the Laughing Man was a piece of wood, painted white, on which was written with charcoal in large letters the title of Ursus' grand piece, "Chaos Vanquished." In the centre of the balcony, precisely opposite the Green Box, and in a compartment having for an entrance a window reaching to the ground, there had been partitioned off a space "for the nobility." It was large enough to hold two rows of spectators, ten in each row. "We are in London," said Ursus. "We must be prepared for the gentry." He had furnished this box with the best chairs in the inn, and had placed in the centre a large arm-chair covered with plush, in case some alderman's wife should come.
They began their performances. The crowd immedi-
