Page:Manhattan Transfer (John Dos Passos, 1925).djvu/224

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Manhattan Transfer

"Sure you did Harry."

"I thought that no girl so young and beautiful could put, you know . . . put the passion and terror into it, do you understand? . . . Sol and I were out front for that scene in the last act."

"Wonderful, wonderful," groaned Mr. Fallik. "Tell us how you do it Elaine."

The makeup came off black and pink on the cloth. Milly moved discreetly about the background hanging up dresses.

"Do you know who it was who coached me up on that scene? John Oglethorpe. It's amazing the ideas he has about acting."

"Yes it's a shame he's so lazy. . . . He'd be a very valuable actor."

"It's not exactly laziness . . ." Ellen shook down her hair and twisted it in a coil in her two hands. She saw Harry Goldweiser nudge Mr. Fallik.

"Beautiful isn't it?"

"How's Red Red Rose going?"

"Oh dont ask me Elaine. Played exclusively to the ushers last week, do you understand? I dont see why it dont go, it's catchy. . . . Mae Merrill has a pretty figure. Oh, the show business has all gone to hell."

Ellen put the last bronze pin in the copper coil of her hair. She tossed her chin up. "I'd like to try something like that."

"But one thing at a time my dear young lady; we've just barely got you started as an emotional actress."

"I hate it; it's all false. Sometimes I want to run down to the foots and tell the audience, go home you damn fools. This is a rotten show and a lot of fake acting and you ought to know it. In a musical show you could be sincere."

"Didnt I tell ye she was nuts Sol? Didnt I tell ye she was nuts?"

"I'll use some of that little speech in my publicity next week. . . . I can work it in fine."

"You cant have her crabbin the show."

"No but I can work it in in that column about aspirations