COMING OF AGE IN SAMOA
four great palm leaves, and the food platters with their intricate designs. There are also fans to make, simple two-strand weaves which she learns to make quite well, more elaborate twined ones which are the prerogative of older and more skilled weavers. Usually some older woman in the household trains a girl to weave and sees to it that she makes at least one of each kind article, but she is only called upon to produce in quantity the simpler things, like the Venetian blinds. From the pandanus she learns to weave the common floor mats, one or two types of the more elaborate bed mats, and then, when she is thirteen or fourteen, she begins her first fine mat. The fine mat represents the high point of Samoan weaving virtuosity. Woven of the finest quality of pandanus which has been soaked and baked and scraped to a golden whiteness and paper-like thinness, of strands a sixteenth of an inch in width, these mats take a year or two years to weave and are as soft and pliable as linen. They form the unit of value, and must always be included in the dowry of the bride. Girls seldom finish a fine mat until they are nineteen or twenty, but the mat has been started, and, wrapped up in a coarser one, it rests among the rafters, a testimony to the girl’s industry and manual skill. She learns the rudiments of bark cloth making; she can select and cut the paper mulberry wands, peel off the bark, beat it after it has been scraped by more expert hands. The patterning of the cloth with a pat-
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