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MARRIAGE AS A TRADE
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by the waters of Babylon, poured out his passion in a torrent of hatred and desire, wore no chains on his soul when he remembered Zion.

It is the systematic concentration of woman's energies upon the acquirement of the particular qualities which are to procure her a means of livelihood by procuring her the favour of man that has deprived her, steadily and systematically, of the power of creation and artistic achievement; so much so that the commonly accepted ideals of what is known as a womanly woman are about as compatible with the ideals of an artist as oil is compatible with water. The methods of the one are repressive of self-development, calculated to ingratiate, bound by convention, servile; the methods of the other are self-assertive, experimental and untrammelled. The perfected type of wife-and-mother-and-nothing-else sees life only through another's eyes; the artist through his own. Of a system designed to foster and encourage the creative instinct in human beings one might safely predict that it would have to be the exact opposite of the system still in force for the con-