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sources of inspiration she has, as a rule, been debarred systematically. One hears, over and over again, of the artist who is inspired by the spirit of his time, who gives effective expression to the life and ideals of his time; and one remembers that man has always desired that woman should be debarred from contact with the life and spirit of the world in which she lived and moved and had her being, has always desired that she should drift and stagnate in a backwater of existence. The inspiration that springs from the sense of community, of fellowship, from enthusiasm for great interests shared with others was not to be for her; she was denied part or lot or interest in the making of contemporary history and to the passions enkindled by it she must be a stranger. Art has always responded to the uprush of a genuine popular enthusiasm, has embodied, shaped and moulded the ideas tossed about from mind to mind, and from man to man in a period of national effervescence and progress. The men who have left behind them an enduring name in the annals of art and literature were not unconscious of the life around them, were