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GOOD FICTION




THE BIG FELLOW

FREDERICK PALMER'S

A big American novel with a big American for its hero, one of the fine, simple, magnetic big stories that everybody reads and that live for years. Illustrated. $1.50.




THE STATUE

PHILLPOTTS and BENNETT'S

Scene, England. Period, to-day. A fine specimen of the diplomatic novel, big in conception, powerful in plot and action, vigorously drawn. Illustrated. $1.50.




THE MAN WITHOUT A HEAD

TYLER de SAIX'S

One of the most exciting detective stories since "Sherlock Holmes." Scene is London, hero a new Scotland Yard man who has to "make good," and does it. $1.50.




THE SIXTH SPEED

E. J. RATH'S

"Just an amazing yarn, set forth with so much vim and in so confident a vein that, though not really plausible, it is richly amusing."—New York Times. $1.50.




THE STEM of the CRIMSON DAHLIA

JAMES LOCKE'S

"One doesn't put it down after beginning it even though you know you must get up early to-morrow and it is now two o'clock."—New York Times Saturday Review. Illustrated. $1.50.




THE METROPOLIS

UPTON SINCLAIR'S

H. G. Wells writes of it: "'The Metropolis' is great. The author has all Zola's power over massed detail."
"It stands in a class by itself. It is a searchlight."—San Francisco Examiner.