than a ponderous bromide, thanks to Gelett Burgess. And Praps is no better. His 'Hemlock Mosses,' for instance is beautifully written. Not a comma is out of place; and the tone—ah!—is lofty, so lofty. He is the best-paid critic in the United States. Though, Heaven forbid! he's not a critic at all. They do criticism better in England.
"But the point is, they sound the popular note, and they sound it so beautifully and morally and contentedly. Their reviews remind me of a British Sunday. They are the popular mouthpieces. They back up your professors of English, and your professors of English back them up. And there isn't an original idea in any of their skulls. They know only the established,—in fact, they are the established. They are weak minded, and the established impresses itself upon them as easily as the name of the brewery is impressed on a beer bottle. And their function is to catch all the young fellows attending the university, to drive out of their minds any glimmering originality that may chance to be there, and to put upon them the stamp of the established."
"I think I am nearer the truth," she replied, "when I stand by the established, than you are, raging around like an iconoclastic South Sea Islander."
"It was the missionary who did the image breaking," he laughed. "And unfortunately, all the missionaries are off among the heathen, so there are none left at home to break those old images, Mr. Vanderwater and Mr. Praps."
"And the college professors, as well," she added.
He shook his head emphatically. "No; the science professors should live. They're really great. But it would be a good deed to break the heads of nine-tenths of the English professors—little, microscopic-minded parrots!"
Which was rather severe on the professors, but which to Ruth was blasphemy. She could not help but measure the professors, neat, scholarly, in fitting clothes, speaking in well-modulated voices, breathing of culture and refine-
