written in 1831:—"It is now several days since I read the book you recommended to me, Mrs. Leicester's School, and I feel as if I owed you a debt in deferring to thank you for many hours of exquisite delight. Never have I read anything in prose so many times over within so short a space of time as The Father's Wedding Day. Most people, I understand, prefer the first tale—in truth a very admirable one—but others could have written it. Show me the man or woman, modern or ancient, who could have written this one sentence: 'When I was dressed in my new frock, I wished poor mamma was alive, to see how fine I was on papa's wedding day; and I ran to my favorite station at her bedroom door.' How natural in a little girl is this incongruity—this impossibility! Richardson would have given his Clarissa and Rousseau his Heloïse to have imagined it. A fresh source of the pathetic bursts out before us, and not a bitter one. If your Germans can show us anything comparable to what I have transcribed, I would almost undergo a year's gurgle of their language for it. The story is admirable throughout incomparable, inimitable."
The second tale,—Louisa Manners, or the Farm House, has already been spoken of (p. 9); for in Louisa's pretty prattle we have a reminiscence of Mary's happiest childish days among "the Brutons and the Gladmans" in Hertfordshire; and in Margaret Green, or the Young Mahometan (pp. 10-16), of her more sombre experiences with Grandmother Field at Blakesware.
The Tales contributed by Charles Lamb are Maria Howe, or the Effect of Witch Stories, which contains a weird and wonderful portrait of Aunt Hetty; Susan
