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Théodolinde
117


spake nor moved. But here, suddenly, I comprehended the motive of his immobility: he was looking of course at the barber's beautiful wife, the pretty woman with the face of a Madonna and the coiffure of a duchess, whom I myself had just found so charming. This was really an excuse, and I felt disposed to allow him a few moments' grace. There was evidently an unobstructed space behind the window through which this attractive person could be perceived as she sat at her desk in some attitude of graceful diligence—adding up the items of a fine lady's little indebtedness for rouge-pots and rice-powder or braiding ever so neatly the long tresses of a fausse natte of the fashionable color. I promised myself to look out for this unobstructed space the very first time I should pass.

I gave my tarrying guest another five minutes grace, during which the lamps were lighted in the hairdresser's shop. The window now became extremely brilliant; the ivory brushes and the little silver mirrors glittered and flashed; the colored cosmetics in the little toilet-bottles acquired an almost appetizing radiance; and the beautiful waxen ladies, tossing back their heads more than ever from their dazzling busts, seemed to sniff up the agreeable atmosphere. Of course the hairdresser's wife had become even more vividly visible, and so, evidently, Sanguinetti was finding out. He moved no more