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Master Eustace


highly remarkable—might, I suppose, have been called celebrated. In spite of his very foreign name, he was a genuine compatriot of my own, and indeed our acquaintance had begun with our being, as very small boys, at school together. There was a tradition that Sanguinetti's grandfather had been an Italian image-vender in the days when those gentlemen might have claimed in America to be the only representatives of a care for the fine arts. In the early part of the century they were also less numerous than they have since become, and it was believed that the founder of the Transatlantic stock of the Sanguinettis had by virtue of his fine Italian eyes, his slouched hat, his earrings, his persuasive eloquence, his foreign idioms and his little tray of plaster effigies and busts been deemed a personage of sufficient importance to win the heart and hand of the daughter of a well-to-do attorney in the State of Vermont. This lady had brought her husband a property which he had invested in some less brittle department of the Italian trade, and, prospering as people, alas! prospered in those good old days, had bequeathed, much augmented, to the father of my guest. My companion, who had several sisters, was brought up like a little gentleman, and showed symptoms even at the earliest age of his mania for refuse furniture. At school he used to collect old slate-pencils and match-boxes: I suppose he inherited the