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Benvolio
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her and to tell her that he adored her. This satisfaction was not unattainable, and before the day was over he was well on his way toward enjoying it. He found the Countess holding her usual court, and making a merry world of it. He had meant to stay with her a week; he stayed two months—the most entertaining months of his life. I cannot pretend, of course, to enumerate the diversions of this fortunate circle, nor to say just how Benvolio spent every hour of his time. But if the summer had passed quickly with him, the autumn moved with a tread as light. He thought once in a while of Scholastica and her father—once in a while, I say, when present occupations suffered his thoughts to wander. This was not often, for the Countess had always, as the phrase is, a dozen irons on the fire. You see the negative, with Benvolio, always implied as distinct a positive, and his excuse for being inconstant on one side was that he was at that time very constant on another. He developed at this period a talent as yet untried and unsuspected: he proved himself capable of writing brilliant dramatic poetry. The long autumn evenings, in a great country house, offered the ideal setting for the much-abused pastime known as private theatricals. The Countess had a theatre, and abundant material for a troupe of amateur players; all that was lacking was a play exactly adapted to her resources. She pro-