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THE GERMAN CLASSICS

for last night there was little of it; the unaccustomed physical exercise has used me up a bit, and tomorrow I am to be in the saddle again before daylight. Very, very tired am I, like a child.

Schönhausen, March 14, 1847.

Jeanne la Méchante!—What is the meaning of this? A whole week has passed since I heard a syllable from you, and today I seized the confused mass of letters with genuine impatience—seven official communications, a bill, two invitations, one of which is for a theatre and ball at Greifenberg, but not a trace of Zuckers (the Reinfeld post-office) and "Hochwohlgeboren."[1] I could not believe my eyes, and had to look through the letters twice; then I set my hat quite on my right ear and took a two hours' walk on the highway in the rain, without a cigar, assailed by the most conflicting sentiments—"a prey to violent emotions," as we are accustomed to say in romances. I have got used to receiving my two letters from you regularly every week, and when once we have acquired the habit of a thing we look upon that as our well-won right, an injury to which enrages us. If I only knew against whom I should direct my wrath—against Böge, against the post-office, or against you, la chatte la plus noire, inside and out. And why don't you write? Are you so exhausted with the effort you made in sending two letters at a time on Friday of last week? Ten days have gone by since then—time enough to rest yourself. Or do you want to let me writhe, while you feast your eyes on my anxiety, tigress! after speaking to me in your last letters about scarlet and nervous fevers, and after I had laid such stress on my maxim of never believing in anything bad before it forces itself upon me as incontestable? We adhere firmly to our maxims only so long as they are not put to the test; when that happens we throw them away, as the peasant did his slippers, and run off on


  1. "Right honorable," a common form of address on letters. B. refers more than once to her distinctive way of writing this title.