Mauprat
a book in her hand. One day when she had taken Tasso with her she met Patience, who, as was his wont, inquired minutely into both author and subject. Edmée thereupon had to give him an account of the Crusades. This was not the most difficult part of her task. Thanks to the stores of information derived from the abbé and to his prodigious memory for facts, Patience had a passable knowledge of the outlines of universal history. But what he had great trouble in grasping was the connection and difference between epic poetry and history. At first he was indignant at the inventions of the poets, and declared that such impostures ought never to have been allowed. Then, when he had realized that epic poetry, far from leading generations into error, only raised heroic deeds to vaster proportions and a more enduring glory, he asked how it was that all important events had not been sung by the bards, and why the history of man had not been embodied in a popular form capable of impressing itself on every mind without the help of letters. He begged Edmée to explain to him a stanza of the Jerusalem Delivered. As he took a fancy to it, she read him a canto in French. A few days later she read him another, and soon Patience knew the whole poem. He rejoiced to hear that the heroic tale was popular in Italy; and, bringing together his recollections of it, endeavoured to give them an abridged form in rude prose, but he had no memory for words. Roused by his vivid impressions, he would call up a thousand mighty images before his eyes. He would give utterance to them in improvisations wherein his genius triumphed over the uncouthness of his language, but he could never repeat what he had once said. One would have had to take it down from his dictation, and even that would have been of no use to him; for, suppos-
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