IV
"WHY COME YE NAT TO COURTE?"
"Le donne e i cavalier, gli affanni e gli agi,
Che ne invogliava amore e cortesia."
The little house—discreet affair of eaves modest as drooped eyelids, of latticed windows, of wistaria before and a bower of willows behind—was found and furnished out of the girls' store and the Captain's credit. Donna Matura, a brown old woman, hideous, toothless, and inclined to swooning, was installed as duenna. She was, indeed, owner of the house and furniture, for which Olimpia paid and the Captain promised to pay; but that did not appear until much later. There was a great charm, not without a certain deal of luxury, in the place. Of course there was a garden—a bright green nest of flowering trees and shrubs; in the middle was a grass-plat; in that, again, a bronze fountain, which had the form of three naked boys back to back, and an inscription to the effect that it had been set up by a certain Galeotto Moro, in the days of Marquess Lionel, "in honour of Saints Peter and Paul and of the Virgin Deipara," upon some special occasion of family thanksgiving. The weeping willows—themselves fountains of green—sprayed over a stone seat. The place bore signs of an honour-
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